Stronger – The Late Show with Stephen Colbert
February 10, 2020
February 10, 2020
February 10, 2020
Alex Ebert returned to his roots for his sophomore solo album “I vs I.” The album, released Jan. 31 via Community Music and AWAL, explores the “many facets of the human experience, through the lens of a deteriorating relationship and …
February 4, 2020
Edward Sharpe and the Magnetic Zeros frontman Alex Ebert was featured in Saint Archer Brewing Co.’s new Super Bowl LIV commercial. The 30-second spot features Rodriguez skateboarding through Ocean Beach and other San Diego neighborhoods in search of Saint Archer, …
January 31, 2020
August 23, 2019
July 12, 2019
July 11, 2019
In the second installment of a series of videos that Alex Ebert and Noaz Deshe have teamed up on, Automatic Youth sees Alex playing a driver who is seemingly tuned out to what is happening in and around his car …
June 27, 2019
Off the back of releasing three new songs from his forthcoming two-part double album, Alex Ebert has teamed up with director Noaz Deshe to film an epic video unlike anything you’ve seen done before for Gold. “To me there’s something …
Rap is high-volume verbiage, and over the past two years, the lyrics that began coming to me were highly detailed and descriptive, too much to parse down to a singable phrase or two without losing their power. That’s when I knew I had to come back to rap.
Alex Ebert, June 2019
Edward Sharpe and the Magnetic Zeros frontman Alex Ebert today released the first three songs from his forthcoming double album due out this fall. You can stream the new songs — Hands Up, Gold and Automatic Youth — on your preferred platforms. ESMZ Management says to keep an eye out for all the videos and other content in the near future in support of the releases.
Last December, Ebert released “In Support of 5ame Dude: Volumes 1,2 and 3” — three collections of songs that he had recorded over the last 14-plus years.
From New Community Management:
“For two decades, Ebert has created original music in myriad forms, styles, shapes, and sounds. From his earliest days as an emcee to the early-aughts buzz of Ima Robot, to the world-beating heights of Edward Sharpe & The Magnetic Zeros, the critically acclaimed Alexander solo project, the Golden Globe-winning neoclassical film score composition for 2014’s All is Lost, and beyond, Ebert’s ability to lose himself in his art and achieve success is undeniable. Transcending boundary lines in the spirit of self-examination, he has spent the better part of the last few years completing a daunting amount of work, including 4 EPs, a biographical documentary feature film, and now the culmination: a post-genre double album of new material.”
The forthcoming album (title still to be determined) was recorded and produced by Ebert in his Piety Studios in the Bywater neighborhood of New Orleans, where he has lived since 2013. “While not explicitly ‘futuristic,’ it feels like it’s coming from some future in which the separations of genres has dissolved,” New Community Management says of the album.
I’ve always loved making whatever art came to me, and felt sorry for the paradigm of artistry that constrains the artist to one look, one mode, one sound. I never related to that, and as an artist I resented it
Alex Ebert, June 2019
More from New Community Management’s press release:
If there is one defining feature of this opus, it is the facility with which Ebert moves from one vocal delivery to another – from singing to rapping. “Rap is high-volume verbiage, and over the past two years, the lyrics that began coming to me were highly detailed and descriptive, too much to parse down to a singable phrase or two without losing their power,” Ebert says. “That’s when I knew I had to come back to rap.” (Ebert began his music career rapping in a group called DVS Minds).
Ebert’s flows on the double album are measured, witty, highly personal, and deft, as these first 3 songs attest to. These 3 songs paint a story. “Automatic Youth” begins. It is the crushingly personal account of Ebert’s breakup with his baby mama – the astounding jazz bass playing by New Orleans’ Donald Ramsey in a sultry number that showcase Ebert’s story telling rap abilities. “Hands Up” take us into Ebert’s post-breakup depression as Ebert choreographs a race through parts of the brain in a hunt to kill his destructive self: “Gunfight in the hippocampus/ I chased you through the Saharabellum”, as he takes us through the poetic trudge of living with suicidal thoughts. “Gold” completes the trio. It lifts us out of Ebert’s depression with his lyrical lists of self-prescribed tools for sanity in a rough world, while morphing effortlessly from croon to rap to Kinks-y outro as the sung hook “Everything you touch/to gold” climbs to cacophony.
“I’ve always loved making whatever art came to me, and felt sorry for the paradigm of artistry that constrains the artist to one look, one mode, one sound,” Ebert says. “I never related to that, and as an artist I resented it.” His urge to embrace it all had long conflicted with that artistic golden rule, “to thine own self be true.”
Two years ago, while reflecting during a hiatus from Edward Sharpe, that conflict ended. Ebert realized that he had his own, different, just-as-valuable maxim: “To all thine selves be true.”
“There was liberty in finally realizing that the search for me—for my distinctive voice—was actually an embrace of all my voices,” he says. “And so I embraced more of my past, no longer hiding my different talents for the sake of brand-consistency. Suddenly it was my very inconsistency that became my superpower. To put such disparate things out in short order just communicates to myself, and to the world, that I’m not afraid of contextualizing one variety of expression with another.”
Now on iTunes:
May 23, 2019
To see how much it means to people — it’s like a dream. As an artist you always want to make something like that that lives on and on. Alex Ebert, May 2019 Edward Sharpe and the Magnetic Zeros announced …
April 12, 2019
April 5, 2019
Edward Sharpe and the Magnetic Zeros’ return tour will kick off with a performance at Woodstock 50 – the 50th anniversary of the historic music festival. The star-studded lineup also features Jay-Z, The Killers, Janelle Monae, Maggie Rogers, Chance the …
March 13, 2019
After a three-year hiatus, Edward Sharpe and the Magnetic Zeros announced today it will perform at the Bourbon & Beyond Festival on Sunday, Sept. 22, in Louisville, Kentucky. The band plans to announce a handful of additional tour dates in …
March 12, 2019
Home is wherever Top Chef is In a music-themed episode of Top Chef last month, the eight contestants took a road trip to Nashville where they were asked to create a dish inspired by a vibrant music memory. Boston chef …
February 23, 2019
Alex Ebert is taking his voice to the virtual airwaves.
October 24, 2016
Cologne Music Festival Photos by Oliver Krings Das tapfere Schneiderlein www.dastapfereschneiderlein.rocks
October 24, 2016
Age: 46 Occupation: Childcare officer Hobbies/Interests: Making wine, celebrating the solstice, casting spells and listening to the Magnetic Zeros
September 15, 2016
August 4, 2016
August 3, 2016